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不安分的年轻人们

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分类:剧情片法国1958

主演:帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗 

导演:马塞尔·卡尔内 

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常见问题

今日更新:243部☛上一部下一部

1.请问哪个平台可以免费在线收看或高速迅雷下载剧情《不安分的年轻人们》?

电影天堂网网友:《不安分的年轻人们》免vip在线观看地址:http://www.ilovegym.cn/ilove/97824.html

2.《不安分的年轻人们》是什么时候上映/什么时候开播的?

天堂影院网友:1958年,详细日期可以去百度百科查一查。

3.《不安分的年轻人们》都有哪些演员?

爱奇艺网友:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔

4.剧情《不安分的年轻人们》有多少集?

电影吧网友:现在是全集完结

5.手机版免费在线点播《不安分的年轻人们》有哪些网站?

手机电影网网友:星辰影院

6.《不安分的年轻人们》每天什么时候播出?

风车动漫网友网友:《不安分的年轻人们》于2024/05/13 17:04:11正式开播,贝贝影院每天19点45分抢先播放VIP剧集

7.《不安分的年轻人们》评价怎么样?

Mtime时光网网友评价:《不安分的年轻人们》评价很好,演员阵容强大,并且演员的演技一直在线,全程无尿点。你也可以登录百度问答获得更多评价。

丢豆网网友评论:马塞尔·卡尔内导演的作品,有欢笑、有泪水、有喜悦、有悲伤...,虚拟世界中的感情是多彩的,并不同于我们现实中不爽就一直玩的感觉,虚拟感情的交错,当看完之后会觉得更加舒畅。

豆瓣电影网友:《不安分的年轻人们》不同于其他作品,没有紧迫感、虚浮的情节及杂乱的画面,却在不断教导我们,不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号,往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点,看视频时设身处地会发现这是现实中更近教导的教导!

8.《不安分的年轻人们》剧情介绍?

  【贝贝影院】-电影网大全www.ilovegym.cn第一时间收录《 不安分的年轻人们》并提供免费在线观看。不安分的年轻人们上映于1958年(剧情),是一部法国制片作品,由帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔等领衔主演。影片(剧)类型为剧情片,对白语言为法语。喜欢贝贝影院收集的电视剧电影在线免费看的网友们,欢迎分享给身边的朋友,顺祝您观影愉快!
  以下为不安分的年轻人们剧情简介:影片讲述

  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...
  
  Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.
  
  Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.
  
  Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.
  
  Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.


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