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O somma luce

评分:
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分类:剧情片法国2010

主演:Giorgio Passerone 

导演:让-马里·斯特劳布 

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常见问题

今日更新:237部☛上一部下一部

1.请问哪个平台可以免费在线收看或高速迅雷下载剧情《O somma luce》?

电影天堂网网友:《O somma luce》免vip在线观看地址:http://www.ilovegym.cn/ilove/104112.html

2.《O somma luce》是什么时候上映/什么时候开播的?

天堂影院网友:2010年,详细日期可以去百度百科查一查。

3.《O somma luce》都有哪些演员?

爱奇艺网友:Giorgio Passerone

4.剧情《O somma luce》有多少集?

电影吧网友:现在是全集完结

5.手机版免费在线点播《O somma luce》有哪些网站?

手机电影网网友:星辰影院

6.《O somma luce》每天什么时候播出?

风车动漫网友网友:《O somma luce》于2024/05/13 17:02:14正式开播,贝贝影院每天19点45分抢先播放VIP剧集

7.《O somma luce》评价怎么样?

Mtime时光网网友评价:《O somma luce》评价很好,演员阵容强大,并且演员的演技一直在线,全程无尿点。你也可以登录百度问答获得更多评价。

丢豆网网友评论:让-马里·斯特劳布导演的作品,有欢笑、有泪水、有喜悦、有悲伤...,虚拟世界中的感情是多彩的,并不同于我们现实中不爽就一直玩的感觉,虚拟感情的交错,当看完之后会觉得更加舒畅。

豆瓣电影网友:《O somma luce》不同于其他作品,没有紧迫感、虚浮的情节及杂乱的画面,却在不断教导我们,不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号,往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点,看视频时设身处地会发现这是现实中更近教导的教导!

8.《O somma luce》剧情介绍?

  【贝贝影院】-电影网大全www.ilovegym.cn第一时间收录《 O somma luce》并提供免费在线观看。O somma luce上映于2010年(剧情),是一部法国制片作品,由Giorgio Passerone等领衔主演。影片(剧)类型为剧情片,对白语言为其它。喜欢贝贝影院收集的电视剧电影在线免费看的网友们,欢迎分享给身边的朋友,顺祝您观影愉快!
  以下为O somma luce剧情简介:影片讲述

  转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub
  “The end of paradise on earth.”—Jean-Marie Straub
  The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.
  “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.
  In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.
  So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.
  During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.
  The mise en scène of what words exactly?
  The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.
  Is “Straubie” Greece?
  This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich


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