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不安

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分类:剧情片其它1954

主演:英格丽·褒曼 马蒂亚斯·维曼 雷娜特·曼哈特 

导演:罗伯托·罗西里尼 

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常见问题

今日更新:237部☛上一部下一部

1.请问哪个平台可以免费在线收看或高速迅雷下载剧情《不安》?

电影天堂网网友:《不安》免vip在线观看地址:http://www.ilovegym.cn/ilove/100829.html

2.《不安》是什么时候上映/什么时候开播的?

天堂影院网友:1954年,详细日期可以去百度百科查一查。

3.《不安》都有哪些演员?

爱奇艺网友:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特

4.剧情《不安》有多少集?

电影吧网友:现在是全集完结

5.手机版免费在线点播《不安》有哪些网站?

手机电影网网友:星辰影院

6.《不安》每天什么时候播出?

风车动漫网友网友:《不安》于2024/05/13 17:04:06正式开播,贝贝影院每天19点45分抢先播放VIP剧集

7.《不安》评价怎么样?

Mtime时光网网友评价:《不安》评价很好,演员阵容强大,并且演员的演技一直在线,全程无尿点。你也可以登录百度问答获得更多评价。

丢豆网网友评论:罗伯托·罗西里尼导演的作品,有欢笑、有泪水、有喜悦、有悲伤...,虚拟世界中的感情是多彩的,并不同于我们现实中不爽就一直玩的感觉,虚拟感情的交错,当看完之后会觉得更加舒畅。

豆瓣电影网友:《不安》不同于其他作品,没有紧迫感、虚浮的情节及杂乱的画面,却在不断教导我们,不像老师家长苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。我们看电影电视剧亦或综艺动漫逗号,往往是融入进去,在不知不觉中去了解这些似乎不容易被我们所发现、所理解的道理。再说近一点,看视频时设身处地会发现这是现实中更近教导的教导!

8.《不安》剧情介绍?

  【贝贝影院】-电影网大全www.ilovegym.cn第一时间收录《 不安》并提供免费在线观看。不安上映于1954年(剧情),是一部其它制片作品,由英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特等领衔主演。影片(剧)类型为剧情片,对白语言为其它。喜欢贝贝影院收集的电视剧电影在线免费看的网友们,欢迎分享给身边的朋友,顺祝您观影愉快!
  以下为不安剧情简介:影片讲述

  Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.


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